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These words revel in the utter ordinariness of living globally, of writing in the presence of all the languages of the world, at home everywhere, and never at rest.","brand":"Tsitsi Ella Jaji","offers":[{"title":"Default Title","offer_id":44037795971114,"sku":"9780803299603","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/beating-the-graves-5127411.jpg?v=1775151984"},{"product_id":"when-the-wanderers-come-home","title":"When the Wanderers Come Home","description":"Described by African scholar and literary critic Chielozona Eze as \"one of the most prolific African poets of the twenty-first century,\" Patricia Jabbeh Wesley composed \u003ci\u003eWhen the Wanderers Come Home\u003c\/i\u003e during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. \u003cp\u003e\u003c\/p\u003e Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eWhen the Wanderers Come Home\u003c\/i\u003e is a woman's story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.","brand":"Patricia Jabbeh Wesley","offers":[{"title":"Default Title","offer_id":44062671831082,"sku":"9780803288577","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/when-the-wanderers-come-home-2304625.jpg?v=1770619518"},{"product_id":"the-river-is-rising","title":"The River Is Rising","description":"\u003cp\u003ePatricia Jabbeh Wesley and her family fled their native country of Liberia after suffering tremendous privations and violence during the bloody Liberian Civil War in 1991. These poems are more than the story of one woman who carried her children over dead bodies, walking dozens of miles from Monrovia, through dirty streams amidst government soldier and rebel killing fields, fleeing bombs and constant gun battles, who with her husband and small children were forced to survive on roots in a displacement camp outside Monrovia, where they witnessed every kind of crime against women. Jabbeh Wesley did more than survive. She helped other women. She wrote. \u003c\/p\u003e","brand":"Patricia Jabbeh Wesley","offers":[{"title":"Default Title","offer_id":44062671896618,"sku":"9781950413591","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/the-river-is-rising-1231443.jpg?v=1770619518"},{"product_id":"patricia-jabbeh-wesley-collected-poems-1998-2020","title":"Patricia Jabbeh Wesley: Collected Poems, 1998-2020","description":"\u003cp\u003ePatricia Jabbeh Wesley is the first major poet out of Africa's oldest republic of Liberia since the nation's founding and remains one of the most important poets from Africa. Spanning two decades of work, the poems in this collection tell stories of Wesley's homeland that would have otherwise been forgotten. As she recounts her life as a refugee, mother, wife, and African woman, Wesley also remembers the Liberians who were killed in the fourteen-year civil war, the hundreds of thousands silenced and unable to tell their own stories.\u003c\/p\u003e\u003cp\u003eIn conversation with Africa and her new homeland of America, Wesley's craft is imbued with Grebo oral tradition, bringing her language alive as she makes the reader cry out in anger or laughter. On one page you may find reason to mourn the brutality of war, and on the next, a reason to laugh about the beauty of family or at the small wonders of everyday life. Poetry, to Wesley, is not about words; it is about the story, the story of the living seeking to give new life to both the living and those she calls the dead living.\u003c\/p\u003e","brand":"Patricia Jabbeh Wesley","offers":[{"title":"Default Title","offer_id":44062680449066,"sku":"9781496244246","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/patricia-jabbeh-wesley-collected-poems-1998-2020-5736159.jpg?v=1775151789"},{"product_id":"and-after-all-poems-1","title":"And After All: Poems","description":"\u003cp\u003eRhina P. Espaillat's \u003cem\u003eAnd After All\u003c\/em\u003e meditates on the passage of time. The perspective sweeps from the panorama of foreign landmarks to the close view of a lover's feet in failing health, held and cared for. \u003cem\u003eAnd after All\u003c\/em\u003e displays the wit, wisdom, subtle voice, and supple mastery of forms that have established Espaillat as a contemporary master. This long-awaited collection from Espaillat is a treat not to be missed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRAISE FOR \u003cem\u003eAND AFTER ALL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRhina P. Espaillat's \u003cem\u003eAnd After All\u003c\/em\u003e combines the formal fluency of Richard Wilbur, the precision of Elizabeth Bishop, and the easy conversational tones of Frank O'Hara, and yet her poems speak in a voice that is distinctively her own. They address the loss of loved ones and loved things of the world, but their extraordinary empathy and gentle wit keep them from becoming depressing or sentimental. Savor this book and share it with people you love.\u003cbr\u003e--A. M. Juster, author of \u003cem\u003eSleaze \u0026amp; Slander: New and Selected Comic Verse, 1995-2015\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRhina P. Espaillat, more than any living poet in English, gives ordinary language the glow of the sacred. Workaday words, trite with custom like thin coins, accrue new resonance and weight; plain objects are haloed with aureoles like figures in gold mosaics. Saints with their visions used to do this: wave away the veils that separate our shallow perceptions from a deeper reality. But not everyone is granted visions. How much harder it is to use the same words we all use and misuse, the same objects we all touch and ignore, common experiences we dismiss, and, by using words with precision, using the serendipity of rhyme, and the convention of metrical patterns, to give the reader the experience of revelation. Craft is not the opposite of inspiration, Espaillat reminds us, it is the only way to it.\u003cbr\u003e--A. E. Stallings, author of \u003cem\u003eOlives\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFor most of its poems \u003cem\u003eAnd After All\u003c\/em\u003e is, as the title indicates, deeply elegiac in tone. There are many poignant evocations of the past in the book, rich with quotidian surface detail but always suffused with undemonstrative but palpably real emotion. A poem about the poet's grandmother, a tough no-nonsense farmer's wife who described how cows inarticulately but unmistakably grieved when they realized their calves were to be slaughtered, ends with the line, \"She told it simply, but she faltered there.\" In its quiet pathos the line seems to sum up much of the book; exactness, no fuss, unforced fidelity to the anecdote, but the tremor of poignant empathy always present. A very eloquent collection of beautifully crafted poems, and one that it is hard to read dry-eyed.\u003cbr\u003e--Dick Davis, author of \u003cem\u003eLove in Another Language\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE AUTHOR: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRhina P. Espaillat has published ten full-length books and three chapbooks, comprising poetry, essays, and short stories, in both English and her native Spanish, and translations from and into both languages. Her national and international awards include the T. S. Eliot Prize in Poetry, the Richard Wilbur Award, the Howard Nemerov Prize, the May Sarton Award, the Robert Frost \"Tree at My Window\" Prize for translation, several honors from the New England Poetry Club, the Poetry Society of America, the Ministry of Culture of the Dominican Republic, and a Lifetime Achievement Award from Salem State College.\u003cbr\u003eShe is a frequent reader, speaker, and workshop leader, and is active with the Powow River Poets, a literary group she cofounded in 1992.\u003c\/p\u003e","brand":"Rhina P Espaillat","offers":[{"title":"Default Title","offer_id":44077253427242,"sku":"9781773490229","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/and-after-all-poems-8138303.jpg?v=1771226409"},{"product_id":"araluebo-the-immigrant-monologues","title":"Ará'lúèbó: The Immigrant Monologues","description":"\u003cb\u003eA layered exploration of the immigrant identity through the voices of multiple Nigerian American characters.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e The Yoruba word Ará'lúèbó (\/ah-rah-loo-ay-bow\/), as the book tells us, means \"an endearing term for a native who has gone abroad, and\/or is returning\" or \"a person who becomes a foreigner everywhere they go.\" \u003cp\u003e\u003c\/p\u003e In his debut poetry collection, KÁNYIN Olorunnisola showcases the expansiveness of the immigrant experience through the form of the choreopoem, a non-Western style of poetry that incorporates elements of music and theater. The collection tells a multitude of stories through five people (Odunsi, beja, Levi, Sekina, and Ismaila), who, though fictional, represent the emotional truths of the lived experience of an African residing in the United States. As Ismaila says early on, \"we r five fly kids hyphenated by time \u0026amp; \/ geography.\" \u003cp\u003e\u003c\/p\u003e Mixing Yoruba, Nigerian Pidgin, and English, \u003ci\u003eArá'lúèbó The Immigrant Monologues\u003c\/i\u003e is a blend of linguistic influences, with debts to visual art and rap music. At the center of its expression is formal experimentation; poems are structured like movie screenplays, diary entries, flowcharts, pie charts, and dictionary entries. The book encompasses a broad span of American, African, and other world history, even as it is strongly rooted in the contemporary, with references to Lauryn Hill, Kendrick Lamar, and other Black creatives. Ultimately, the book asks who is allowed to belong and paints a portrait of what it means to be American and from elsewhere.","brand":"Kányin Olorunnisola","offers":[{"title":"Default Title","offer_id":44172946931754,"sku":"9781968209001","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/araluebo-the-immigrant-monologues-4459647.jpg?v=1773794670"},{"product_id":"no-one-will-know-you-tomorrow-selected-poems-2014-2024","title":"No One Will Know You Tomorrow: Selected Poems, 2014-2024","description":"\u003cp\u003e\u003cb\u003eA selection of the exquisite, passionate verse of the Palestinian poet Najwan Darwish, superbly translated into English\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFinalist for the 2025 PEN Award for Poetry in Translation - Finalist for the 2025 Derek Walcott Prize for Poetry - Winner of the 2024 \u003c\/b\u003e\u003ci\u003e\u003cb\u003eBig Other\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e Readers' Choice Award - Shortlisted for the 2025 PEN Heaney Prize - Longlisted for the 2025 National Translation Award for Poetry, sponsored by American Literary Translators Association\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.\"--Elisabeth Egan, \u003c\/b\u003e\u003ci\u003e\u003cb\u003eNew York Times Book Review\u003c\/b\u003e\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBorn in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish's most powerful and urgent poetry of the last decade. \u003cp\u003e\u003c\/p\u003eIn spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish's verse pulses with spiritual longing and a sense of battered, disoriented wonder--a witness to both the atrocities we visit upon one another and the miracle that we are here at all. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eNo One Will Know You Tomorrow\u003c\/i\u003e is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.","brand":"Najwan Darwish","offers":[{"title":"Default Title","offer_id":44346764427306,"sku":"9780300275469","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/0891\/6522\/files\/no-one-will-know-you-tomorrow-selected-poems-2014-2024-6899838.jpg?v=1778468227"},{"product_id":"the-years-of-blood","title":"The Years of Blood","description":"\u003cp\u003e\u003cb\u003eWinner, 2026 Nossrat Yassini Poetry Prize\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWinner of the 2023-24 Poetic Justice Institute Editors Prize for a BIPOC Writer\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eNEW YORK PUBLIC LIBRARY'S 25 BEST NEW POETRY BOOKS OF 2026 \u003c\/b\u003e- \u003cb\u003eISELE MAGAZINE EDITOR'S CHOICE: 25 MOST ANTICIPATED BOOKS OF 2025 \u003c\/b\u003e- \u003cb\u003eTHE MODACULTURE 10 ANTICIPATED AFRICAN BOOKS OF 2025 \u003c\/b\u003e- \u003cb\u003eOPEN COUNTRY MAGAZINE ANTICIPATED BOOKS OF 2025\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eIn this unflinching debut collection, Adedayo Agarau confronts the harrowing reality of ritual killings and child abductions that have terrorized Nigeria from the turbulent pre-democratic era to the present day. Set against the backdrop of rural Ibadan, \u003ci\u003eThe Years of Blood \u003c\/i\u003eplunges readers into the depths of collective trauma where \"memory forsakes the body at the point where fear fills the body like air.\" \u003cp\u003e\u003c\/p\u003eThese poems bear witness to unspeakable atrocities through dreamlike landscapes and surreal imagery that resist rational explanation. Memory is as vital as it is ungraspable. As the painful poem \"the abduction\" puts it, \"memory forsakes the body at the point where fear fills the body like air.\" Or, in \"Lilac,\" where \"the debris of memory \/ becomes the fog before you.\" Agarau's lyrical language--at once rich and broken--captures both the violence witnessed and the guilt of survival through repetitions of words, phrases, and motifs. \u003cp\u003e\u003c\/p\u003eAs both survivor and émigré to the US, Agarau explores \"the weight of disappearance [that] hangs heavy over memory,\" the ongoing trauma that cannot be shed, and the search for healing across continents. His poems attempt to wrest language out of terror's domain, asking: \"How many ways can the poet craft an elegy?\" \u003cp\u003e\u003c\/p\u003eAbove and beyond its art, \u003ci\u003eThe Years of Blood \u003c\/i\u003eis essential reading for those interested in African literature, postcolonial studies, and the intersection of personal and political history and global literature. 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