The Inferno by Dante Alighieri

The Inferno

$25.00
Sale price  $25.00 Regular price 
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The Inferno by Dante Alighieri

Graywolf Press

The Inferno

$25.00
Sale price  $25.00 Regular price 
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An innovative and fascinating new version of Dante Alighieri's Inferno as it has never been rendered

 

Stopped mid-motion in the middle
Of what we call a life, I looked up and saw no sky-
Only a dense cage of leaf, tree, and twig. I was lost.
--from Canto I

 

Award-winning poet Mary Jo Bang has translated the Inferno into English at a moment when popular culture is so prevalent that it has even taken Dante, author of the fourteenth century epic poem, The Divine Comedy, and turned him into an action-adventure video game hero. Dante, a master of innovation, wrote his poem in the vernacular, rather than in literary Latin. Bang has similarly created an idiomatically rich contemporary version that is accessible, musical, and audacious. She's matched Dante's own liberal use of allusion and literary borrowing by incorporating literary and cultural references familiar to contemporary readers: Shakespeare and Dickinson, Freud and South Park, Kierkegaard and Stephen Colbert. The Inferno--the allegorical story of a spiritual quest that begins in a dark forest, traverses Hell's nine circles, and ends at the hopeful edge of purgatory--was also an indictment of religious hypocrisy and political corruption. In its time, the poem was stunningly new. Bang's version is true to the original: lyrical, politically astute, occasionally self-mocking, and deeply moving. With haunting illustrations by Henrik Drescher, this is the most readable Inferno available in English, a truly remarkable achievement.

Book Details
Publisher:
Graywolf Press
ISBN:
9781555976545
Binding:
Paperback
Pages:
352
Authors:
Dante Alighieri
Published Date:
2013-09-03
Language:
English
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About Dante Alighieri

Dante Alighieri (c. 1265–1321) was a Florentine poet regarded as a father of the Italian literary language. His Divine Comedy, composed between roughly 1308 and 1321, comprises three canticles — Inferno, Purgatorio, and Paradiso — and narrates a journey through the afterlife. Written in the Tuscan vernacular rather than Latin, it shaped the standard for literary Italian. His earlier La Vita Nuova (c. 1293) combines verse and prose addressed to Beatrice Portinari. Sentenced to exile from Florence in 1302, he never returned to the city and died in Ravenna in 1321.

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